Harmony

  • Scale and intervals
  • TRIADS
  • HARMONIC PROGRESSION
  • TONALITY AND MODALITY
  • MODULATION
  • CHORDS OF THE SIXTH-THE FIGURED BASS
  • NONHARMONIC TONES
  • CADANCES
  • THE DOMINANT SEVENTH CHORD
  • SECONDRAY DOMINANTS
  • IRREGULAR RESOLUTIONS
  • THE DIMINISHED SEVENTH CHORD
  • THE INCOMPLETE MAJOR NINTH
  • THE COMPLETYE DOMINANT NINTH
  • THE SEQUENCE
  • NONDOMINANT HARMONY-SEVENTH CHORDS
  • NINTH. ELEVENTH, AND THIRTEENTH
  • THE RAISED SUPERTONIC AND SUBMEDIANT
  • THE NEAPOLITAN SIXTH
DaysMonday or Friday
Time17:00 to 18:30
MasterMehran Pedram
  • AUGMENT SIXTH CHORDS
  • OTHER CHROMATIC CHOR
  • CHORD BY FOURTHS
  • ADDED-NOTNE CHORDS
  • CHORDS BY SECONDS
  • POLYCHORD
  • COMPUND AND MIRROR HARMONY
  • HARMONIC DIRECTION
  • TIMING AND DYNAMICS
  • EMBELLISHMENT AND TRANSFORMATION
  • Harmony exercises based on oriental motives

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