Harmony
- Scale and intervals
- TRIADS
- HARMONIC PROGRESSION
- TONALITY AND MODALITY
- MODULATION
- CHORDS OF THE SIXTH-THE FIGURED BASS
- NONHARMONIC TONES
- CADANCES
- THE DOMINANT SEVENTH CHORD
- SECONDRAY DOMINANTS
- IRREGULAR RESOLUTIONS
- THE DIMINISHED SEVENTH CHORD
- THE INCOMPLETE MAJOR NINTH
- THE COMPLETYE DOMINANT NINTH
- THE SEQUENCE
- NONDOMINANT HARMONY-SEVENTH CHORDS
- NINTH. ELEVENTH, AND THIRTEENTH
- THE RAISED SUPERTONIC AND SUBMEDIANT
- THE NEAPOLITAN SIXTH
DaysMonday or Friday
Time17:00 to 18:30
MasterMehran Pedram
- AUGMENT SIXTH CHORDS
- OTHER CHROMATIC CHOR
- CHORD BY FOURTHS
- ADDED-NOTNE CHORDS
- CHORDS BY SECONDS
- POLYCHORD
- COMPUND AND MIRROR HARMONY
- HARMONIC DIRECTION
- TIMING AND DYNAMICS
- EMBELLISHMENT AND TRANSFORMATION
- Harmony exercises based on oriental motives
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